Necklace with Louis XIV visual Silver 900/1000Chain necklace 80 cm lenght with ajustements at 70 cmThis chain necklace will get sensation to jewel lovers. This is also a symbol of unique konow-how. The obverse portrays François Ist.The r...
Chain necklace 80 cm lenght with ajustements at 70 cm
This chain necklace will get sensation to jewel lovers. This is also a symbol of unique konow-how.
The obverse portrays François Ist.
The reverse shows the Sun King, symbol of Louis XIV.
The Collection
Founded in 864, Monnaie of Paris is the oldest company in the world. It has cultivated tradition in the metal artworks for twelve centuries. As such, it is an associate member of Colbert Committee, gathering the greatest French luxury companies.
In 2014, Monnaie of Paris is celebrating its 1150th anniversary. For this occasion, Monnaie of Paris is launching a new collection named "French Excellence". The aim is to highlight every year one of the art crafts that constitute the unique heritage of French luxury, by working with one major house belonging to Colbert Committee.
It is obviously the meeting of two great French houses, the Louvre and Monnaie de Paris, that nourishes this edition, but also the meeting of know-how several centuries apart. It is actually a great emotion to engrave again these historical motifs as the craftsmen of the time were able to do in their time. I feel like I am in the shoes of the Pharaoh's personal engraver more than three millennia later.
Engraver word
Our craftman
THE ENAMELLER
Our creations are enamelled using a rare technique known as grand feu enamelling. Another workshop sends the enameller a decoration, piece of jewellery or struck medal with hollow spaces on its surface. Using a dip pen, needle or brush, the enameller fills these hollows with enamel, which they have prepared themselves. The fixing of the variously coloured enamel powders is controlled by short, successive firings at 900 degrees.
THE ENGRAVER
Trained at the best schools, they have the years of experience behind them necessary to master all aspects of the craft. Using industrial oil-based modelling clay and working from a design executed freehand or with CAD software, they skilfully fashion a low relief model in order to enhance the engraving and the way it catches the light. They work alternately with concave and convex plaster moulds until satisfied they have achieved the best 3D rendering of the design.