La qualité "Belle Épreuve" est la plus haute qualité numismatique devant les qualités "Brillant Universel" (BU) et "courante". Une pièce belle épreuve est une pièce obtenue au moyen de coins et de flans spécialement préparés et de conditions de frappe particulières, de sorte que les motifs de gravure ressortent avec une grande netteté et que la surface est sans défaut. Les fonds de la gravure sont extrêmement brillants, les reliefs sont matés.
Mintage
500
Millésime
2023
Valeur faciale
200€
The
reference to René Lacoste is twofold: this racket-shaped coin alludes to the
tennis champion as well as the designer of the first metal racket shown here. On the
obverse, the handle is similar to that of an actual tennis racket, with the
engra...
The
reference to René Lacoste is twofold: this racket-shaped coin alludes to the
tennis champion as well as the designer of the first metal racket shown here.
On the
obverse, the handle is similar to that of an actual tennis racket, with the
engraving reflecting the reality of the object. A crocodile and a ball are
featured on the stringing design. The Crocodile, René Lacoste’s nickname, has
become the brand’s emblem. And as a tribute to Simone Thion de La Chaume, his
wife and a golf champion, the tennis ball has the texture of a golf ball.
On the
reverse, the same realism can be observed, with only one additional detail: the
manufacture year engraved at the top of the handle. The stringing is replaced
by the emblematic cotton piqué pattern.
And the
stringing design appears at the top of a polo shirt placed below the face
value, with the zeros resembling tennis balls.
The Collection
Founded in 864, Monnaie of Paris is the oldest company in the world. It has cultivated tradition in the metal artworks for twelve centuries. As such, it is an associate member of Colbert Committee, gathering the greatest French luxury companies.
In 2014, Monnaie of Paris is celebrating its 1150th anniversary. For this occasion, Monnaie of Paris is launching a new collection named "French Excellence". The aim is to highlight every year one of the art crafts that constitute the unique heritage of French luxury, by working with one major house belonging to Colbert Committee.
It is obviously the meeting of two great French houses, the Louvre and Monnaie de Paris, that nourishes this edition, but also the meeting of know-how several centuries apart. It is actually a great emotion to engrave again these historical motifs as the craftsmen of the time were able to do in their time. I feel like I am in the shoes of the Pharaoh's personal engraver more than three millennia later.
Engraver word
Our craftman
THE ENGRAVER
Trained at the best schools, they have the years of experience behind them necessary to master all aspects of the craft. Using industrial oil-based modelling clay and working from a design executed freehand or with CAD software, they skilfully fashion a low relief model in order to enhance the engraving and the way it catches the light. They work alternately with concave and convex plaster moulds until satisfied they have achieved the best 3D rendering of the design.
THE MINTER
The first minters began to ply their trade in France when striking with a hammer appeared in the 4th century BC. Nowdays, minsters use press instead of a hammer. Their knowledge of dies, engraving and metals, and their expertise - passed seamlessly down from one generation to the next for centuries - guarantees the excellence of their work.
