At the effigy of his public works L.o.v.e., 2010, Maurizio Cattelan sizes the expertise of the millennium Parisian Manufacture to create a precious jewel in a limited edition.
To hang on the wall, place in a window-display or simply to wear.
"This is a Nazi or fascist salvation that has been truncated, but not completely, and thus transformed into another symbol that is the antithesis of the first. It can be analyzed as a critique of ideology, but the artwork is also open to other interpretations ... The hand is a recurring subject in the figurative sculpture field, the colossal hand of Constantine who salutes is a famous example of Roman times. "